Movie Ramble: To The Academy, With Love

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I’m just going to say something bold: The Oscars mean the world to me. Yeah, I know that sounds a bit cheesy and “intense” to you casual movie lovers out there, but it is the truth. This event is my Super Bowl, my Olympics, and in truth has and will always be what my year and life have centered around. This is the night where the “stars” shine, and the thing I love more than anything – the “motion pictures” – are celebrated.

But this year, I have to admit that it is a bit harder to get that rush of excitement I’ve always had for the Academy Awards telecast. Why? Because to me, it seems that the Academy themselves have lost touch with what made the Oscars, well, the Oscars. Read more

The Perfect Pair: The Young Girls of Rochefort/Kate Spade Spring 2019

When I describe to people my personal “aesthetic”, I tend to point in the direction of the pop culture that inspires me. There’s Disney related things, Magical Girl genre shows, music videos, retro pin up ads, etc. But there happens to be one particular movie (that I only saw within the last year or so) that really has become the true definition of my style and taste in multiple things – but mostly within its visual language: The Young Girls of Rochefort. And with the release of the new Kate Spade Spring 2019 collection, my love for this movie (and this colorful style) continues to grow.  

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Cinema Style – “The Favourite” Movie Review

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Cinema Style is a series where I review a film (new or old) and pair it with an outfit that pays tribute to the visual aesthetic of said movie. Whether you’re looking for a “bound” of some sort, or just want some style dipped in the “flavor” of your new favorite movie, these write-ups are here to help!

In the world of cinema, it is sometimes hard to define the visual representations of cruelty. Sure, there has been some form of violence in almost every flick since the beginning of film history, and there’s enough “torture porn” genre movies to fill a garbage dump, but when it comes to the more emotional side of the phrase, there aren’t too many films that capture the word visually on screen. Or at least, that was the case until the director of The Favourite, Yorgos Lanthimosbecame an Indie Film darling.

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