When I describe to people my personal “aesthetic”, I tend to point in the direction of the pop culture that inspires me. There’s Disney related things, Magical Girl genre shows, music videos, retro pin up ads, etc. But there happens to be one particular movie (that I only saw within the last year or so) that really has become the true definition of my style and taste in multiple things – but mostly within its visual language: The Young Girls of Rochefort. And with the release of the new Kate Spade Spring 2019 collection, my love for this movie (and this colorful style) continues to grow.
Cinema Style is a series where I review a film (new or old) and pair it with an outfit that pays tribute to the visual aesthetic of said movie. Whether you’re looking for a “bound” of some sort, or just want some style dipped in the “flavor” of your new favorite movie, these write-ups are here to help!
In the world of cinema, it is sometimes hard to define the visual representations of cruelty. Sure, there has been some form of violence in almost every flick since the beginning of film history, and there’s enough “torture porn” genre movies to fill a garbage dump, but when it comes to the more emotional side of the phrase, there aren’t too many films that capture the word visually on screen. Or at least, that was the case until the director of The Favourite, Yorgos Lanthimos, became an Indie Film darling.
Today, I will have the pleasure of seeing Pretty in Pink on the big screen for a second time. Having watched this movie for the last 15 years on an almost monthly basis, I have a lot of fan girl admiration for it. Part of this fandom eventually included fulfilling a nerdy dream of mine – reading the young adult novelization that is based on the original John Hughes script. And having just finished this hundred-plus-page piece of teen-approved literature, let me tell you, I got a lot to say.